Click on titles in bold to download PDFs
‘Found Footage’. In César Ustarroz (ed.) Found Footage & Collage Films: The Artist’s Voice. Found Footage Magazine, 2025.
‘Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation’ (co-written with Adrian Leguina and Kadja Manninen). Cultural Trends, 34 (1), 2025, pp 105-124.
‘The Present and Future of Digital Theatre’ in Pascale Aebischer and Rachael Nicholas Adaptation and resilience in the performing arts. University of Manchester Press, 2024, pp 23-41.
‘Getty Images: copyright hawk or corporate appropriator?’. CREATe (Centre for Regulation of the Creative Economy) working paper, February 2024.
‘“Real-time” virtual reality and the ideology of immersion’. Screen 61.4 (winter), 2020.
‘“All I have to offer is myself”: the film-maker as narrator’. In Julia Vassilieva and Deane Williams (eds.), Beyond the Essay Film: Subjectivity, Textuality and Technology. University of Amsterdam Press, 2020.
‘The Black Screen’. In Martine Beugnet, Allan Cameron, and Arild Fetveit (eds.), Indefinite Visions. Edinburgh University Press, 2017, pp. 38-52.
‘Trespassing Hollywood: property, space, and the “appropriation film”’. October 153 (summer), 2015, pp. 132-148.
‘Modular Spacetime in the “Intelligent” Blockbuster: Inception and Source Code’ (co-written with Allan Cameron). In Warren Buckland (ed.), Hollywood Puzzle Films. Routledge. 2014, pp. 109-124.
‘Time-lapse and the projected body’ (co-written with Allan Cameron). The Moving Image Review and Art Journal 3.1, 2014, pp. 36-48.
‘Mapping Rohmer: cinematic cartography in post-war Paris’. In Les Roberts (ed.), Mapping Cultures: Place, Practice, Performance. Palgrave-Macmillan, 2012, pp. 68-84.
‘Dead Time: Cinema, Heidegger, and Boredom’. In Julia Vassilieva and Con Verevis (eds.), After Taste: Cultural Value and the Moving Image. Routledge, 2011, pp. 133-142.
‘The “Look” and How To Keep It: Cinematography, Post-Production, and Digital Colour’. Screen 51.4 (winter), 2010, pp. 404-410.
‘Dead Time: Cinema, Heidegger, and Boredom’. Continuum: Journal of Media and Cultural Studies 24.5 (October), 2010, pp. 777-785.
‘The Invisible Ideology of White Light’. The New Review of Film and Television Studies 8.2, 2010, pp. 125-143.
‘Exploding Binaries: Point-of-View and Combat in The Thin Red Line’. Quarterly Review of Film and Video 25.2, 2008, pp. 116-123.
‘A Parallax View of Psycho'. International Journal of Zizek Studies 2.1, 2008.
‘Wrong Geometries in The Third Man’. Rouge 11, December 2007.